As some of you may know, I’m busy editing The Heir’s Choice at the moment. I haven’t really said much about how I’m doing, but let me just say this:
Editing a sequel is hard.
Especially because the sequel and the first book were two halves (literally) of the same book. See originally, I had this awesome 107k word book that I had to split.
And the approximate split was as follows:
The Vanished Knight: 65k words.
The Heir’s Choice: 65k words.
“Hey wait!” you might exclaim. (It’s all very dramatic in my brain, I promise you.) “That doesn’t add up!”
No. Because in order to make TVK into a book on its own, I’ve had to add about 15k words to the first half of the original book. Which is great.
Except for the bit where every single one of those changes has to be worked into THC. Which is most of what its extra 15k words consists of.
And then I’m not even getting into the real challenge.
As you might know, I’m going to re-publish TVK and publish THC at the same time. There is a very very good reason for this, but I’m not going to go into it. First, I want to see if my plan works.
But if it does work, most of the people reading THC will be doing so immediately after finishing TVK.
So what’s the challenge? (Aside from marketing.)
If I assume that my plan will work, no one will want constant reminders of what happened in TVK. If my plan doesn’t work, everyone will want a TON of reminders. Which leaves me with the unique challenge of striking the right balance between too much information and not enough.
While making sure that all the main strings I left hanging at the end of TVK gets picked up in THC.
Except…. TVK has a lot of strings.
How are you doing? What are you doing at the moment?